[G] 高士明 GAO Shiming
[float=right][attach]1095[/attach][/float]高士明，中国美术学院展示文化研究中心主任，副教授，研究领域包括视觉文化研究、当代艺术研究以及策展实践。自2002年起，他参与策划了许多大型学术性展览，包括2002年至2004年的“亚洲当代艺术的迁徙与地缘政治”系列研究计划、2004年的“影像生存：第五届上海双年展”、2005年的“现实深处：中国当代艺术邀请展”和“亚洲时间：新媒体艺术展”、2006年的“显微学：中国当代艺术展”以及“黄盒子：中国空间里的当代艺术与建筑”学术邀请展等。高士明还编辑出版了《视觉的思想》、《地之缘：亚洲当代艺术与地缘政治视觉报告》等学术著作，并即将出版专著《镜子与面具：关于现实与实在的视觉研究》。策展对于高士明来说，不止是表述或再现方式，而且是一种创造、塑型方式。他坚信行动的力量与主观知识在当代的意义，坚信策展是一种直接在历史暗房中进行的实践性的写作。他2002年以来的策展工作中始终存在着一条特定的文化思考的轨迹，即：如何从后殖民话语出走，摆脱身份政治和关系美学的思维惯性，从中国当代深层现实经验出发，激发起视觉创造的活力，重新构筑一种当代艺术与视觉文化的介入性的表述体系。
GAO Shiming, Deputy Director of the Visual Culture Research Center of the China Art Academy, assistant professor. His subject is visual culture research, contemporary art studies and curatorial practice. He has participate in many large exhibitions of academic standing, including the research project “The Migration of Asian Contemporary Art and Geo-politics” 2002-2004, “Image Existence” the 5th Shanghai Biennial 2004, “In the Deep of Reality: Contemporary Chinese Art” and “Asian Time: New Media Art” in 2005, “Micrology: Chinese Contemporary Art” and “The Yellow Box: Contemporary Art and Architecture in a Chinese Space”. He has edited the publications “Visual Thinking”, “Edges of the Earth: Asian Contemporary Art and Geo-politics”. Curatorial practice for Gao is neither presentation nor re-presentation, but a creative process. He firmly believes in the contemporary significance of bringing together action and subjective knowledge. He also firmly believes in curatorial work as a form of ‘writing in practice’ within the dark room of history. Since 2002 his work has been guided by a special form of cultural thinking, which is: how to start afresh from intellectual discourse, depart from the habits of identity politics and contextual studies, and seek inspiration from the depth of Chinese contemporary reality, in order to stimulate creativity, and find a form of interventional narrative for contemporary art and visual culture.
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